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Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, 1 November 2021

Back To The Future: The Art of the Poster




Back To The Future: The Art of the Poster

There's probably only a handful of movies I can say that have a really close personal connection to me, these are the ones that reside in that warm fuzzy, cosy place in the depths of your heart, and generally ones you revisit from time to time for that dopamine feel good fix. For me, one of those films is Back to Future, the story, the humor, the sci-fi escapism,  not to mention the brilliant onscreen chemistry between Marty and the Doc played so well by Michael J Fox and Christopher Lloyd.

Back to the Future is a movie that enjoys what I call a 'protected status', its universally loved by everyone, I don't think I've ever met anyone in my life you doesn't love the movie, which is a rare thing, especially these days. People, including myself love this wholesome movie so much they will protect it, not just as a great movie but for how it makes them feel and the sentiment they feel from watching it. These are the people that won't have a bad word said against it, it shall remain untarnished forever and it will keep people smiling and laughing long after I'm dead. I might be sounding a tad deep and reflective here, but Back to the Future is as pure as anything I could describe or compare it against.

With all that being said below are some great examples of the love people have for this movie with Art of the Poster. 




The original poster illustrated by Drew Struzan shows Marty stepping out of the DeLorean stunned by the date and time as his looks at his watch, its an iconic design and even without the movies title on it I think you'd be hard pressed to find someone who couldn't recognize both the character and the movie.

A great version here by Amanda Jordan,Marty pretends to be a Space Alien "Darth Vader" using the anti radiation suit and music through his walkman to convince George about the upcoming dance, having previously scared the Peabody family when he crashed into  their barn, emerging from the Delorean in the same suit. The costumes of the film were designed by Deborah Lynn Scott who also worked on Transformers and Avatar.


A subtle approach to this design, kind of understated with some nice emphasis on the DeLorean, Marty touching the hood of the car connects him to the journey its taken him on. Designed by James Flames.


There's a great sense of heroic realism with this poster by John Cordero, it conveys the main characters in key moments of the film and has a gritty rawness to the way its produced, it has a Drew Struzan feel in some way but all the elements work beautifully to tell a story.


One of the best moments in the film is when Marty plays Chuck Berry's Johnny B Goode on the electric guitar. Michael was taught how to play the actual song by Paul Hanson, the famed Hollywood music coach but didn't actually play the song in the movie, Marty's singing voice was that of Mark Campbell band member of Jack Mack and the Heart Attack. Design by Luke Martin.


This design by Mainger Germain has a very cool 80's vibe to it blended with a 50's rock and roll font, I guess to emphasize this is one of the 80's best movies but to hint at the back in time element of the music and era too. This concept adds some great mystery on the time machine itself, the DeLorean.


When the DeLorean was first introduced it really did have the wow factor in the movie, its reveal was superbly done to create some great impact, not to mention that line from Marty "You built a time machine out of a DeLorean?" which has an air of disbelief tinged with some disappointment too, all to hilarious effect. Love the choice of font for this by Nicolas Alejandro Barbera.

An action packed design by Oliver Rankin as the DeLorean is chased by the Libyan's across the shopping mall parking lot in their VW camper van trying to fire an RPG at it. I love the number plate in the foreground and the light coming from the wheels as the car is on the verge of going back in time.

Profanity in the movie is extremely light, I guess its also one of the qualities that make this such a universally accepted and loved film, which makes Docs comment that "some serious shit" will occur once the DeLorean hits that magic 88 miles per hour. A great design to focus on one of the funnier lines from the film that hints at the time travel aspect. Bold font with a neon glow really punches the eyes. Design by Tom Ryan.

Monday, 25 October 2021

Death on the Film Set - When Moviemaking Goes Wrong



The recent tragic death of Halyna Hutchins,42 year old Director of Photography on the New Mexico set of the Western 'RUST' was a horrific accident when a prop gun handled by Alec Baldwin was fired during the rehearsal and shot set up for a scene inside a church where Baldwin draws the pistol across his body and points it. The gun prop mortally injured Hutchins and injured writer and director Joel Souza who was also in close proximity behind Hutchins at the time. 

Details from the investigation allege that Baldwin had been handed the prop gun which appears to have had a live round in the cylinder despite the fact the words "Cold Gun" had been called out as the AD,  Dave Halls handed him the gun, indicating that the gun was safe to handle. The death of Bruce Lee's son Brandon Lee on the set of the Crow in March1993 was the last previous major incident involving a film star killed with a prop hand held weapon.

Halyna Hutchins on the set of RUST.

A thorough investigation is likely to reveal if the prop gun on the set of RUST was being handled incorrectly or that any gross negligence is at fault by any of the crew. The fact that some union crew had walked off the RUST set citing poor working conditions prior to the incident, as well as incidents also involving the use of prop weapons may also raise more questions on what procedures were being followed with the films props, since Baldwin is also the exec Producer, at least part of that responsibility falls to him.

While movie sets can be dangerous places to work, studios place a huge amount of importance on health and safety for the entire crew during the production of TV and film shows. There have of course been high profile incidents of actors being injured on set, Harrison Ford was injured by a falling door on the set of Star Wars: The Force Awakens and Tom Cruise broke his ankle doing his own stunt when he jumped between buildings filming a Mission Impossible movie in London. Both incidents were freak occurrences and its extremely rare for negligence, lack of safety enforcement or oversight to result in an actor or crew member being injured or even killed on modern films but accidents do and can happen. 

in 1982, Actor Vic Morrow and a child actor were decapitated by rotating helicopter blades on the set of the Twighlight Zone when a pyrotechnic exploded near the rear rotor of the hovering helicopter in a scene being filmed, causing the helicopter to spin out of control and crash onto the actors killing them. Stuntmen have also been killed on the sets of Rambo First Blood: Part II and on the Expendables 2, both due to pyrotechnic incidents.

The Twilight Zone, Actor Vic Morrow and two children were killed on set.

In light of the Balwdin incident, the US cop show, The Rookie, starring Nathan Fillion was one of the first TV productions to announce it will no longer use real life prop weapons or blank firing weapons on its set. Instead, the production will move to using gas blowback airsoft replicas and adding VFX for sound and muzzle flash. Live blank firing props had previously been used on large outdoor sets of the TV show.

Cop Show The Rookie will now use Airsoft guns from now on, adding VFX in post.

Weapons on set are always a risk, its primarily why only highly trained armourers, stunt professionals and stunt co-ordinators under strictly controlled conditions are the ones who handle and organise their use on set. Actors are usually given full safety briefings prior to shooting any scene using a blank firing weapon and the scene is discussed at length.

Brandon Lee was killed by the improper handling and procedure of dummy rounds and blank rounds, dummy rounds, particularly for revolvers provide a realistic look for close up shots, With Lee however, real 44 bullets were pulled from live rounds in an effort to save time and money since proper dummy rounds were not on set at the time and these were made on set and were not proper dummy rounds, the powder in the dummy cartridges was dumped out and the bullets were then inserted into the dummy cartridges to make them look like real bullets, this was done by an inexperienced prop assistant since the firearms specialist was sent home early by the film production. Unbeknown to the assistant one of these bullets had lodged inside the barrel when the gun was fired in another scene weeks earlier which was caused by the live primer at the rear of the cartridge which had given the bullet in the dummy cartridge just enough force to lodge itself inside the barrel of the gun.

When the dummy rounds were swapped for blanks which contain a charge, the 44 calibre bullet remained in the barrel and the procedure to check the gun was not followed, the fact that nobody had checked the barrel for a blockage before the weapon was used again is baffling. In the Crow incident, actor Michael Massee shot Lee's character, Eric from about 15 feet, the scene called for Massee to fire the gun and Lee would activate a squib to shred through the grocery bag he was holding in front of him to simulate the bullet strike. The squib in the grocery bag detonated on cue, and Lee fell to the ground as scripted, except that Lee didn't get back up. The bullet that was lodged in the barrel was forced out from the blank discharge with practically the same force as a real bullet and Lee was mortally wounded in the abdomen. Despite surgeons best efforts to save his life for 6 hours, Lee died. In their bid to save his life they used a transfusion of 60 pints of blood doing what they could to repair the damage. The bullet had entered Lee's body just above his navel and had lodged against his spine, but not before it had practically severed his abdominal aorta causing massive vascular and intestinal trauma to his body. His cause of death was unstoppable internal hemorrhaging due to the fact his blood would not clot.

Brandon Lee, The Crow 1993. Lee had shed 20lbs for the role as Eric Draven in the Crow.

Two months following Lee’s death, the films producer, Edward Pressman managed to secure a further $8 million to re-write the script and finish the production of The Crow, using stunt men Chad Stahelski and Jeff Cadiente to fill in for Lee's character Eric Draven, with Lee’s face digitally super imposed in post production. Michael Massee, the actor who shot Lee was deeply affected by the incident and never saw the finished film, he died of  stomach Cancer in 2016 aged 64.

Crow Actor Michael Massee 

How do prop guns work?

Depending on the film in question a production crew can utilise different prop guns depending on their required use in a scene. For example, shots of discarded guns on a beach for a war movie might use solid composite, resin or hard rubber props painted to look real so that the production doesn't have to risk damaging real vintage or expensive historical weapons. These are typically made of resin or hard rubber in pouring moulds and then painted and aged to look like their real life counterpart.

In scenes where guns need to be carried  but not fired or simulated fired by extras, these are also typically solid resin or rubber with no working parts if no closeup is required.

In some cases stunt guns, inert guns with no firing pin or working parts might be used for scenes where a working version of the same gun could potentially be damaged. For example, this could be a seen where the gun is thrown across a room or dropped to the ground from height.


M1 Garand Resin props used on  the Tom Hanks WW2 D-Day movie Saving Private Ryan


Silicon moulds are often used by armourers to create replica guns which are then painted and finished to look like the real item for scenes where a real gun is not necessary or may be damaged in a complex stunt scene.

For scenes that require closeups but no firing of the weapon, highly detailed replicas, typically ones which are prevented from firing or discharging any kind of ammunition are sometimes used. In most cases for scenes where the firing of the gun is a requirement real guns are also used with the primary difference being that blanks are used rather than real bullets, blanks typically have a crimped end to the cartridge when used in filming. 

On the Keanu Reeves John Wick series of films, Airsoft gas blowback pistols are the favoured props of choice with sound and VFX doing the rest of the work in post production, given the close proximity to the stunts involved, even blanks would pose a danger at these distances, the guns are realistic looking Airsoft guns that functional like a real gun with the hammer, trigger and slide all operated by a gas bottle stored in the guns grip inside a mock magazine.

John Wick Chapter 2 screen used blowback prop 1911 pistol. The hammer, trigger and slide all work like a real gun.

Automatic prop guns  / real guns firing blanks will still eject a cartridge, it works exactly the same way as its live ammo counterpart. Two types of blank rounds are available, loud and fire+loud. One creates noise and little to no muzzle flare, the other gives a big bang and lots of muzzle flare giving directors a choice of variables on set. When I shot mo-cap scenes for Wheelman, the Midway Games video game, I handled an M4 assault rifle with a 30 round blank firing magazine, the armourer brought both types of these blank rounds to simulate weapon firing for the intro sequence.


Blank rounds are distinctive with their 'crimped' end, they contain primarily a powder charge to make noise and in some cases still discharge flame.

All guns are managed by an 'Armourer' a specialist firearms expert, film production companies also employ a safety officer and stunt co-ordinator for scenes involving firearms. Scenes where the camera is in front of  a blank firing weapon sometimes shoot the sequence with a perspex, ballistic proof shield to protect crew. Additionally actors will aim at what is called a 'dummy point', a safe area that is not directly in the firing line of the person behind the camera, even though the audience sees the weapon appearing to be aimed directly at the camera.

Some actors are more familiar and aware of weapon safety based on their movie roles, typically actors who make regular TV shows or films featuring props or weapons are used to their presence on set and familiar with the rules of gun safety. Highly trained weapon specialists with years of experience in safe weapon handling would be training and supervising actors on any set using firearms or firing props. Any actor coming in direct contact with a prop gun is always supervised and trained on the proper use and how to handle the prop safely before a scene is shot. 

In a 2020  famous Instagram clip on actor Will Smiths feed,  the actor disarmed and weapon checked  a prop gun being mishandled close to the actor with the barrel pointed at Smiths face, Smith was visibly agitated by the individuals lack of weapon safety, the actor slapped the muzzle downward, grabbed the weapon, ejected and checked the mag for rounds and cleared the weapon by racking back the slide several times to ensure the chamber was clear before sliding the empty mag back in and handing it back to the individual. If anything, it shows how well weapon safety has been drummed into Will Smith on the set of his films.


Will Smith is visibly agitated at the lack of gun safety being shown by the man handling the gun pointing it in Smiths direction.


Will Smith slaps the gun away before disarming the man and checking the gun for live rounds.

The Alec Baldwin, Rust tragedy has brought fresh focus to the on set deaths by prop weapons of Brandon Lee and Jon-Erik Hexum, a young actor who was playing with a  44 Magnum loaded with a blank round between scenes when he placed the barrel of the gun to his head and pulled the trigger in a game of mock Russian Roulette. The wadding from the blank cartridge drove a bone fragment the size of a quarter into his brain, he died 6 days later after being pronounced brain dead. The age old rule of handling any kind of gun is never pull the trigger unless you intend to destroy what you're aiming at.

John-Erik Hexum was a young actor killed by a blank firing prop weapon

There are still so many questions that need to be answered with the Alec Baldwin, RUST incident but three of the most pressing I can think of would be...

1. Were proper training and safety procedures provided to crew handling set props, specifically in the loading, unloading and safe operation of blank firing weapons and props?

2.Why did the production of RUST allegedly have live ammunition on a film set?

3. Why didn't Baldwin check the weapon personally and why was the prop aimed directly at another person in close proximity?

The likely outcome of this incident will perhaps encourage more stricter use for weapons and blank firing weapons on film sets, more films and TV shows may even resort to VFX to avoid the risk of injury and to enforce more training for actors before handling weapons, even replicas.

For now though, the film industry has lost a promising talent and a family is left to mourn a terrible loss, and questions need answers, starting with -  How did this go so wrong and how could it happen?




Friday, 8 October 2021

Escape From New York: Art of the Poster

 John Carpenters futuristic nightmare Sci-Fi thriller, Escape From New York turned 40 years old this year, released in the summer of 1981 and made for a mere $6 Million it went on to quadruple its production budget in box office profits that year.

Snake Plissken, played by Kurt Russell became the perfect anti-hero for the early 80's with his imposing eye patch, shiny back vest top, shoot first ask questions later manner and raspy voice.

Celebrating 40 years of one of the best sci-fi movies ever made I picked out a few of the best posters and art honouring the film.

What's really interesting in some of the posters is the interpretation of Plissken's weapons which vary, I guess as a form of artistic license and whatever makes him look cooler from a marketing perspective, (the Italian one sheet by Renato Casaro is a prime example). In the film Kurt Russell was armed with an Ingram MAC 10 fitted with a rifle scope, his sidearm was a Smith & Wesson Model 67.



Main art and promotional image for the DVD re-release version



Variant poster by Alex Murray



Original promotional poster for the film



Variant poster by Gabz



Variant by Potteringabout (Deviantart)



Variant by Nick Prinzing



Italian One sheet by Renato Casaro

Variant by Jon Sanchez




Variant by James Rheem Davis


Variant by Vance Kelly




Art by Christopher Shy


By Brian Taylor



Got a favourite of the posters above?, feel free to leave a comment below and let me know.






 




Thursday, 21 January 2021

 5 Films We've been waiting way too long for...



The Six Billion Dollar Man

Not sure if Mark Whahlberg is the right fit but we'll see I guess, I liked Lone Survivor and weirdly enough Spenser Confidential was okay. Many people will no doubt automatically assume this is based off the 70's TV show starring Lee Majors but its worth noting that this could be much closer in style and theme to the Martin Caidin novels, Cyborg.In the original novels Steve Austin is more Terminator than he is a tracksuit wearing, treadmill running hero. In the books the process of Steve Austin becoming a cyborg means a large degree of his humanity ceases to exist. This will probably give the film a much darker tone for modern times rather than the family friendly heroic traits presented in the much loved 70's TV show.

For those of us waiting for a new, bolder and fresher take on the Terminator franchise, this could be just the ticket while we wait, check out my previous post on the movie Upgrade if cyborgs and sci-fi are your bag.

Cyborg by Martin Caidin


What's the update

Last update from Wahlberg was that a script was very close to completion, all that's really needed is a firm greenlight to start production once the planets have aligned and everyone is happy, oh and the fact the world needs to get Covid-19 under control for cinemas to open again. This will probably mean a good few months of delay still. Failing that, could be another one destined to streaming if the film doesn't fit but would Walhburg sign up for that, who knows?


The Dambusters remake

After the epic Lord of the Rings franchise Peter Jackson surprised many with the announcement that he'd like to remake the 1955 Michael Anderson movie, The Dambusters about the daring WW2 night raids on the Dams in Germany to cripple Germanys manufacturing capability. Jackson it turns out is a huge ‘military aviation buff’ who just so happens to possess a fine collection of antique aircraft. The Dambusters remake was to be helmed by Christian Rivers from a script by Stephen Fry (yes that Stephen Fry).Trouble was afoot when initial financing for the proposed movie hit a brick wall and the film failed in its bid to secure funding.

Jackson was so keen on the project he invested a good chunk of change by first commissioning a script from Stephen Fry, then getting full size models of Lancaster aircraft cockpits built in China, not to mention investing in props and other WW2 artifacts including the original wooden bomb sight used by Plt Off John Fort on the Dams Raid of which he paid more than £40,000 for at auction. 


Closeup model of one of Jacksons replica Lancs built in China (check out Dambustersblog.com)

What's the update?

Not much unfortunately, for now it looks like Jackson will continue to mothball the replica Lancaster cockpits and full size builds for a while longer since the failed funding effectively killed the project, however, if anyone had any doubts about the project itself and its relevance they only need to look at the success of Dunkirk, which, lets face it, hardly had a huge script and did stellar business. The Dambusters could find a home on one of the streaming networks either as a film or as a mini series. The Tom Hanks WW2 movie 'Greyhound' which was primarily CGi driven in scope actually did good business on Apple TV, the 91 minute film was made for a budget of $50Million with Apple snapping up distribution rights for $70 Million. Greyhound became the largest opening-weekend release ever for Apple TV+.


The Man of Steel sequel 

Henry Cavill wasn't just bracing red fabric across his broad shoulders when he undertook the role of Superman, he was taking the weight of a franchise and much beloved character too. The sheer pressure on him must have been insane, but it turns out we had no reason to fear, Cavill proved to us all that he was more than cut out for the job at hand.

While Brandon Routh had a decent stab at the role prior to Cavill, the sheer physicality of Cavill and the efforts he put into transforming into Superman were incredible. An origin and Superman II rolled into one movie. More of Superman arrived in the form of Justice League, which as everyone knows was effectively destroyed by a simple moustache and Warner Bros dropping the ball on the FX work. It's no secret that Zack Snyders second bash at getting Justice in League into shape via HBO Max will give us a whole new creative vison on Justice League and the long awaited 'Snyder cut' with a better delivery of Superman. Beyond that we're still waiting for the official Man of Steel sequel which Warner Bros teased would see Cavill play Superman again.

What's the update?

In a December 2019 Mens Health article Cavill had this to say “The cape is still in the closet,” he said. “It’s still mine. I’m not going to sit quietly in the dark as all the stuff is going on. I’ve not given up the role. There’s a lot I have to give for Superman yet. A lot of storytelling to do. A lot of real, true depths to the honesty of the character I want to get into. I want to reflect the comic books. That’s important to me. There’s a lot of justice to be done for Superman. The status is: You’ll see.”

*UPDATE: As of March 2021 it's not set in stone if Cavill will don the cape again although he remains very interested, he has Mass Effect and the Witcher projects on simmer and Warner Bros handling of the DC franchise where Superman is concerned is abysmal.


The Last of Us

Traditionally, videogames converted into movies to tell either the same or similar 'inspired by' stories as their videogame counterpart on the silver screen have had a spotty track record at best, Tomb Raider was average at best, Doom was...meh and Assassins Creed was, well, never mind. So far its a rare occurrence for a game-to-film conversion to be worthy of viewing. Naughty Dog's post apocalyptic 3rd person survival game launched to huge acclaim in June 2013 on PS4, but here we are in 2021 waiting for one of the best told videogame stories to make its cinematic debut.

In terms of the games subject matter there's plenty already jamming up streaming platforms for your post apocalyptic fix, given that we've had a good fill of great storytelling with shows like The Walking Dead, and its spinoff as well as ZNation, Black Summer, and yes, while I realise these are all zombie shows they do still convey post-apocalyptic environments devoid of human life which is sort of my point - The story for the Last of Us has to be good in order to differentiate itself from this band of shows and avoid a 'genre tag'. In the game a A Cordyceps fungus has infected mankind turning them into aggressive creatures (oh god not Clickers!) that Joel and Ellie have to evade but also survive the brutal world they now find themselves in.

What's the Update?

Well for starters no movie, instead Chernobyl creator Craig Mazin is teaming up with Naughty Dog’s own Neil Druckmann to deliver the adaptation for the small screen for HBO as a series instead. This is good in that the series will have enough stories and characters to build out a schedule of episodes to deliver some great narrative - with a Craig Mazin involved this could give it the gravitas it so richly deserves since Chernobyl had some of the highest ratings for a tv show and The Last of Us videogame won over 200 Game of The Year awards.

Thursday, 10 December 2020

UPGRADE - A Sci-fi Film on NETFLIX You Should be Watching

 


You know how it is, you've signed your life away to Amazon Prime,Netflix and Disney+ but yet there you are, sitting on your couch scrolling and scrolling and scrolling, "nope, nope, nope, nope, seen it, nope, looks shit, iMDB 4.5.....nope'. Then you remember somebody mentioning a movie to check out, but the screenshot doesn't do it justice, but the trailer actually looks half decent.

This was the scenario when I took a leap of faith on Upgrade, a little know Sci-fi movie written and directed by Leigh Whannell and starring Logan Marshall-Green. The film was produced by Jason Blum, he of Blum House productions (Saw series, Get Out, The Purge).



Wrapped up in a sentence that best describes it, and to mirror the best possible positioning I've read elsewhere it is indeed '
The Six Million Dollar Man meets Deathwish'. It's very much a Cyberpunk revenge flick but a really well told and visualized one at that.

Whannell spent his incredibly low budget very wisely, choosing to invest in very minimal areas of effects that would deliver bigger impact for its sci-fi tone as well as in practical effects that also helped support the narrative and setting. Above all that, Upgrade is, at its core just a really well told story, and its the narrative that keeps you hooked. When protagonist Grey Trace played by Logan Marshall Green is left paralysed after a brutal car jacking he's given a second chance at life with STEM, a new nanotech chip implant attached to his spine that can take control of his limbs thus helping him walk and function again. This implant comes with some interesting side effects which I won't spoil here, and this is where Upgrade sets itself apart from the myriad of sci-fi junk populating Netflix and other streaming platforms.



The action in the movie is unflinchingly visceral at times, again, it underscores Whannels investment into practical and digital effects where he knows he's going to get bang for his buck and not just for the sake of propping up its sci-fi cyberpunk roots. Fight choreography is also a highlight as shown in an awesome knife fight in a kitchen.



Upgrade is visualized with some great cinematography from Stefan Duscio (The Invisible Man, Audi Q8 advert) and I'm looking forward to seeing more from this guy because there are some, dare I say it Blade Runner 2047 visuals in this film with interiors that really sell the sci-fi vibe.

I'm a sucker for revenge movies, and Upgrade will sit alongside some of the best revenge stories including movies on Netflix like Prisoners, John Wick, Man on FireLaw Abiding Citizen and Jackie Chans, The Foreigner (another Netflix gem you're missing). 

If you're still on the fence just check out some of the reviews, it currently has a respectable Rotten Tomatoes score of 88%.

Leigh Whannell is currently tackling the proposed remake of sci-fi classic Escape from New York and rumour has it Kurt Russell's son Wyatt might be taking on his fathers iconic role.





Anyway, do yourself a favour and check out Upgrade on Netflix.




Thursday, 9 April 2020

5 Films that should become a TV series



John Carpenter's: They Live




A cult sci-fi classic from the master himself, They Live remains a firm favourite and much loved sci-fi movie even by today's standards. Sure it's got that cheesy dialogue in places, its low budget effects (the film was made for $4 Million)  still manage to do the job (just), and while we could sit here and pick holes in various aspects of the film (assault rifles with endless rounds of ammunition that never get reloaded) it oozes some great sci-fi storytelling with a real kicker of a story. They Live is actually an adaptation of Ray Nelson’s science fiction short story “Eight O’Clock in the Morning,” Carpenter saw a deeper metaphor ripe for turning into a film, and one that could that tie the aliens to Reagan-era Republican politicians, and it's this undertone that brought together alien invasion and its Orwellian themes to give us a true classic.


Carpenter had once commented that the movie was his 'primal scream against Reaganomics' but that aside I think the movie could say the same about most governments anywhere in the world. Starring the late "Rowdy"Roddy Piper, a wrestler turned actor and Keith David  (Platoon), it created not only some superb comedy,  it also delivered one of the longest fight scenes ever shot on film, it lasts for 5 minutes and the actors choreographed it for a full month before shooting.
The film also gave us one of the all time greats in movie one liners too as Piper's character goes into a bank and identifies several aliens among the staff and customers with his special sun glasses and armed with a shotgun, “I have come here to chew bubble gum and kick ass, and I’m all out of bubble gum.”


Chew gum kick ass pin badge over at Beastwreck

Okay so why a series? As  TV show I think its a perfect fit, even for a short run series which could either be another origin story or pick up the insurgency against the embedded aliens that have infiltrated planet Earth. Previous sci-fi shows like V and Falling Skies have both used the premise of alien invasion as part of a story arc but I think They Live could be great since it could really play with character arcs, as in characters you love actually turn out to be aliens in a shock Season one finale type reveal, this could be great at setting up an explosive season two opener. Beyond that though it's got huge potential as a series made for TV with Carpenter as exec producer.


Assassins Creed (Update!)




The video game series from Ubisoft went from strength to strength if not for maybe a minor hiccup here and there and has spanned several different eras from the crusades through to 17th Century pirates and the French revolution and more recently, Vikings!.

While the Michael Fassbender film didn't really deliver the same grandeur (18% Rotten Tomatoes rating) that the game series has managed to, it did have a decent shot at putting across some rather impressive visuals and a small number of cool stunts and fight scenes featuring the assassins and their capabilities.
With Disney scooping up 21st Century Fox's assets, a planned sequel was shelved, the films scathing reception at review pretty much killed its cinematic aspirations.




Rotten Tomatoes commented "Assassin's Creed is arguably better made (and certainly better cast) than most video game adaptations; unfortunately, the CGI-fueled end result is still a joylessly over plotted slog"

However, Assassins Creed is so stuffed full of lore and historical events it's pretty rich for storytelling material, hence why there are more than 10 novels based on the franchise. The series actually covers around 2,500 years dating back all the way to 1191 up to modern day so it has the potential to feed off major events throughout time to define aspects of its setting and story.





Okay so why a series? - well creatively there's more time to tell more of a story with a series, again, even a short series of 6 or 8 episodes could work with each series depicting a different time era, in the same kind of way everyone who watched Westworld was hoping for a quicker jump to other worlds and stories to explore. While a series could be expensive a solid writing team could help embrace a viewership that isn't wholly reliant on being overly familiar with the video game series to be drawn to it. As mentioned above, 10 novels and over a dozen games in the series there's more than enough to define a series that can create great characters and thrilling story arcs.

(Update) Streaming Service Netflix will be developing an Assassin's Creed live-action series. @Ubisofts's Jason Altman and Danielle Kreinik will serve as Executive Producers.


Bladerunner




Another defining moment in sci-fi cinema was the original Bladerunner from 1982, Starring Harrison Ford as Rick Deckard, a Bladerunner who hunts down rogue Nexus 6 replicants. Even by today's standards the original Bladerunner is a timeless classic, it doesn't really age. Director Ridley Scott's stunning visuals helped by cinematographer Jordan Croneweth gave us a highly crafted detective sci-fi film noir that not only drives a narrative that questions the moral compass of humanity and mortality, but also the ethics of genetic engineering.





Character wise, Bladerunner has the legs to spin off a well crafted series since the film could bring in new Bladerunners and replicants to build out the story, a notable mention must go to the late great Rutger Hauer of course whose portrayal of Roy Batty, leader of the replicants in the original Bladerunner was a showstopping performance to drive characterisation in the 1982 film. Hauer actually rewrote his character's "tears in rain" speech himself and presented the draft to Scott on set prior to filming the climatic scene, it remains a beautiful epic vision of chaos and turmoil told with a romanticism that will never age.
There are lots of films of rogue replicants, cyborg hybrids, Universal Soldier, The Terminator etc but Bladerunner has a crime story element where a story told over the course of a series could really carry it.
While Bladerunner 2047 is one of those films that divided many sci-fi fans, notably because Harrison Fords screen time was pretty light, it actually stands up pretty well all things considered. Ryan Gosling brought a brooding and complex character who also questioned the underlying themes of humanity and genetics that were seeded throughout the film.





Okay so why a series? Well, for a start its got an awesome backstory, Bladerunners hunting down rogue replicants. If we take the underlying story from the 1982 film we could either tell this from the Nexus-6 point of view, the replicant's backgrounds as combat operators giving them more of a backstory and building a narrative about their origins and story arc, the battles they fought in. This could create an interesting viewer dynamic whereby the protagonist is skewed from the Nexus-6 replicants perspective bringing the viewer more into the backstory. The perception of Bladerunners could be flipped so that they almost become the bad guys, thus creating empathy for the Nexus -6 replicants for the viewer, which could then be crafted by a talented set of writers to turn that on its head as the lifespan of the replicant's deteriorate and drives them to more erratic questionable actions and behaviour that then sees the Bladerunners as the heroes and entirely necessary to humanity rather than just replicant killers. 


The Crazies




Hugely underrated movie which could at first glance be mistaken for a zombie movie, the fact that it isn't helps it stands out as a well constructed horror thriller instead, and thus helps it move away from a clichéd zombie label. The film is in fact a remake of the 1973 film of the same name from none other than George A. Romero. The 2010 version directed by Breck Eisner (Sahara) tells the story of a fictional Iowa town infected by a military virus that has infected the towns water supply from a crashed military plane. Those in the know will recognize Timothy Olyphant, him from the superbly funny Netflix horror Santa Clarita Diet starring opposite Drew Barrymoore and as sheriff Bullock in HBO's Deadwood, and more recently Tarantino's Once Upon a Time in Hollywood.



The Crazies was shot for $20 Million and took a modest $55 Million at the Box Office, not a huge film by any imagination but certainly a solid sci-fi horror thriller none-the-less. With the virus slowly taking hold of the town's otherwise placid and friendly residents the infection turns them into crazed violent killers.
The films themes of military suppression and cover up conspiracy underpin the paranoia and very real threat from the deranged residents who are on the rampage killing others in the community. The military hospital scene being a particular stand out moment as Olyphant's wife Judy played by Radha Mitchell is strapped to a hospital bed as a lunatic with a gardening fork makes his way from bed to bed stabbing other strapped down patients one by one.




Ok so why a series? more-so why not?, it's got a pandemic story that can develop over the course of a series, even a limited one, maybe the comparisons of having a town sheriff is a little close to Walking Dead but I think you'd need that authoritarian figurehead to spearhead a clear head of thinking in a crisis. A sinister government role could give you that ,black SUV driving NSA character to give us a villain to despise'  - bring in the military for a cover up with maybe a defecting soldier thrown into the survivor group and it could be a great premise. Opening episode could have the President killed at his desk with a letter opener by his press secretary who drank some funky water in a brutal scene with plenty of gore to wake up the audience. If The Walking Dead can string it out over a decade I'm sure someone could squeeze 3 short seasons out of this horror gem.

Halloween


Despite the fact I've chosen another John Carpenter project it goes without saying that this franchise has given us one of the all time horror villains in Michael Myers, the psychopathic slasher maniac / demonic force that terrorizes Haddonfield.
While some would agree that later films in the series including the daft Halloween III: 'Season of the Witch' film about killer masks and Rob Zombies poorly received version lost traction for the franchise, it was 2018's masterful return to the screen that gave Halloween its mojo back. Written by non other than Danny McBride (yes, the pyro man in Tropic Thunder!),Jeff Fradley and David Gordon Green, it brought Halloween back from the dead with a near enough refreshed reboot story with some truly no holds barred brutal kills and Jamie Lee Curtis back as Laurie Strode.




The 2018 film continued the legacy and mythology of the previous films, Blumhouse productions also came on board to help handle production duties which I think really helped steer this in the right direction, they handle the horror genre extremely well if films like The Purge,Insidious, Get Out and Split are anything to go by.
Halloween's appeal has always been the kill count, as characters go, having a silent villain that is just a total bad ass at dealing out death and destruction to Haddonfield residents has carried the series pretty well. 'The shape' as Michael is known in the script and book is a dark force, an evil energy that simply does not stop, can't be stopped, he's been shot, stabbed,sliced, run over and thrown down wells but bounces back again and again much to the audiences delight.




Ok so why a series?


I'd probably say a series would be good to consider after two more films, once Halloween Kills and Halloween Ends come out I think it would be time to call it quits as a strong trilogy of films and look at options for TV and build this as a series. The decent films in the series have all been driven with a strong character for Michael Myers to go against, in this case Laurie Strode played by Jamie Lee Curtis who provides an anchor point. With a TV series this would be harder to do since I don't think it works with Jamie Lee reprising her role, it would need another character to drive that balance in the show. However since Friday 13th tuned into a show there's no reason why Halloween can't either.

I'd still play this with the high school providing the slaughter meat, maybe Laurie's daughter or grandaughter is the backstory with something else thrown in for good measure such as cop who's career is on the wane and ends up being a show favourite when he saves the day, tempered with some good occasional laughs I think this should look to retain the sheer brutal horror of Michael's capabilities as a killer to lift the audience and then crush them back down to earth with some good strong kills of key characters in the series.

What other films could become TV shows, got other suggestions? comment below!